2,458 Royalty-Free Audio Tracks for "A Minor"

*Major semitone/Minor diatonic semitone (17th harmoic) on C = C17♯ (Ben Johnston's notation). 17/16 = 104.96 cents. Limit: 17-limit. MIDI pitch bend: 75,65

*Hundred-forty-third harmonic on C = E♭↑-. Just: 143/128 = 191.85 cents. Limit: 13-limit. MIDI pitch bend: 49,29

*Thirty-ninth harmonic on C = E♭. Just: 39/32 = 342.48 cents. Equal-tempered: 23/12:1 = 300 cents. Limit: 13-limit. MIDI pitch bend: 76,77

*Bohlen-Pierce scale: interval between C and D, semitone maximus on C = D. Just: 25/21 = 301.85 cents. MIDI pitch bend: 76,64

*9261st harmonic on C = E♭++. Just: 9261/8192 = 212.34 cents. Limit: 7-limit. MIDI pitch bend: 121,35 on m3

*Bohlen-Pierce scale: interval between C and H, greater just minor seventh on C = H. Just: 9/5 = 1017.60 cents. Limit: 5-limit. MIDI pitch bend: 81,69

*Fifty-seventh harmonic on C = B♭. Just: 57:32 = 999.47 cents. Equal-tempered: 210/12:1 = 1000 cents. Limit: 19-limit. MIDI pitch bend: 106,95 on M6

*Acute minor seventh on C = B♭+. Just: 729/400 = 1039.10 cents. Limit: 5-limit. MIDI pitch bend: 66,76

*Hundred-forty-seventh harmonic on C = E♭+. Just: 147:128 = 239.61 cents. Limit: 7-limit. MIDI pitch bend: 86,44

*79507th harmonic (H43/H43/H43) on C = E♭-. Just: 79507/65536 = 334.55 cents. Limit: 43-limit. MIDI pitch bend: 7,75

*Acute minor third on C = Eb+. Equal-tempered: 2243/200:1 = 337.15 cents. Limit: 5-limit. MIDI pitch bend: 114,75

*Two-hundred-thirty-first harmonic on C = B↑♭. Just: 231/128 = 1022.10 cents. Limit: 11-limit. MIDI pitch bend: 9,71

*1331st harmonic on C = E↑↑↑♭-. Just: 1331/1024 = 453.95 cents. Limit: 11-limit. MIDI pitch bend: 33,113 on m3

Subminor third on G. 7:6 = 266.87 cents.

*Hundred-twenty-first harmonic on C = B↑↑♭-. Just: 121:64 = 1102.64 cents. Equal-tempered: 210/12:1 = 1000 cents. Limit: 11-limit. MIDI pitch bend: 108,64

*Hundred-seventeenth harmonic on C = B♭. Just: 117/64 = 1044.44 cents. Equal-tempered: 28/12:1 = 800 cents. Limit: 13-limit. MIDI pitch bend: 28,78

*Minor sixth on C = A♭ (G↑ Easley Blackwood's notation). Equal-tempered: 28/12=10/15=6/9=48/72:1 = 800 cents. MIDI pitch bend: 0,64 MIDI.

*Just minor third on C = E♭ (Ben Johnston's notation). 6:5 = 315.64 cents. Limit: 5-limit. MIDI pitch bend: 1,69

*Septimal minor third on C = E♭ (Ben Johnston's notation). 7:6 = 266.87 cents. Limit: 7-limit. MIDI pitch bend: 51,53

*Septimal minor third on C = E♭ (Ben Johnston's notation). 7:6 = 266.87 cents. Limit: 7-limit.

Frédéric Chopin's Nocturne in B-flat minor, Op. 9, No. 1, 1832

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 03 Prelude No. 2 in C minor, BWV 847

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 04 Fugue No. 2 in C minor, BWV 847

*Major semitone/Minor diatonic semitone on C = C17♯ (Ben Johnston's notation). 17/16 = 104.96 cents. Limit: 17-limit. 17th harmonic.

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 03 Prelude No. 2 in C minor, BWV 847

Bach, Prelude in F minor bars 57-70

*Superminor third on C = D♯-. 17:14 = 336.13 cents. Limit: 17-limit.

Bach, Prelude in F minor, bars 57-60 with expected conclusion

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 04 Fugue No. 2 in C minor, BWV 847

Danse macabre by Saint-Saëns performed by the Philadelphia Symphony Orchestra under Leopold Stokowski. "Record date is 4/29/1925, with master numbers CVE-27929 and CVE-27930. Also, the subtle "VE" stamp reveals this to be an early electrical recording. It doesn't have quite the brilliance of the 1927 and -28 Victor productions, but still captures the violins nicely. Victor 6505-A and B, concatenated from the original 2 sides."

FREDERIC CHOPIN, THE ETUDES PAN 107 (1810 - 1849) Martha Goldstein, Piano (Erard, 1851) Opus 10 - Twelve Grand Etudes dedicated to Franz Liszt, published 1833 c minor- Allegro con fuoco Supposedly written in Stuttgart shortly after Chopin received news of the taking of Warsaw by the Russians September 8, 1831, this Etude is popularly called The Revolutionary."

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 19 Prelude No. 10 in E minor, BWV 855

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 11 Prelude No. 6 in D minor, BWV 851

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 24 Fugue No. 12 in F minor, BWV 857

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 11 Prelude No. 6 in D minor, BWV 851

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 23 Prelude No. 12 in F minor, BWV 857

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 12 Fugue No. 6 in D minor, BWV 851

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 23 Prelude No. 12 in F minor, BWV 857

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 31 Prelude No. 16 in G minor, BWV 861

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 24 Fugue No. 12 in F minor, BWV 857

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 20 Fugue No. 10 in E minor, BWV 855

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 31 Prelude No. 16 in G minor, BWV 861

*Seventy-seventh harmonic on C = E↑♭ (Ben Johnston's notation). Just: 77/64 = 320.14 cents. Limit: 11-limit. MIDI pitch bend: 57,70

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 12 Fugue No. 6 in D minor, BWV 851

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 32 Fugue No. 16 in G minor, BWV 861

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 32 Fugue No. 16 in G minor, BWV 861

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 20 Fugue No. 10 in E minor, BWV 855